By Noemí Segarra and Félix Rodríguez-Rosa
For PISO proyecto, March was a very significant month as
we were still in the initial stages of activating the now open space
-once San Mateo Community which was expropriated in the heart of
Santurce, Puerto Rico. For us this meant starting from scratch to clean, sweep
the space, to design and build a mobile PISO 20'x10' platform in collaboration
with second year architecture students from the University of Puerto Rico, Río
Piedras campus.
We remember brainstorming together in our PISO practice
before the first Aldo & Leonardo meeting what wilderness meant. PISO took
the time to research and dialogue about how wilderness is translated as a word,
as a concept in Spanish. This took us down several paths of meaning, places,
spaces, conceptions and understandings. The whole language, translation,
definition, placement conversation arose. More questions than answers arose.
This is an ongoing preoccupation PISO is invested in: decodifying meaning or
the possibility of actualizing meaning from our experience in the present.
From our experience with Aldo, we identified some
practices that we share with scientists. For example, we stay with something
for a long time to see how it changes over time. We pay attention to minuscule details
no matter how imperceptible or insignificant they seem. The first nature we
study is that within us. From this practice we relate, move and are/exist in
the world. In our understanding the knowledge derived from the practice of
listening to oneself is not only a tool for movement or art, but for a way of
seeing and experiencing the world and the various ecologies we constantly move
in and out of.
This necessity to pinpoint this choice, quality of life
and experiencing, builds the foundation of our practice that also stems from
being pedestrians. Walking in the city, or walking everywhere, means moving at
a slower pace and getting to see things that if you are riding a bike, or
driving a car, you don't get to see. Thus this practice of seeing things beyond
or past the surface to get to know them from different angles, even if this
means we get to see what is not meant to be revealed––all of this stuff is
what we are after.
As PISO practitioners we document. We document via
writing, taking notes, blogging, taking photographs, videos or audio
recordings. We try as varied ways to catch the spirit of whatever we are experiencing.
Also when we take the practice places we often experience we are the ones being
dissected or studied by the gaze of the other that often expects we do
"something." Added to this experience we have our own expectations of
what needs to happen? We become true experimentalists or scientists when we
decide what happens if we do not perform, and we just perform to whatever we
are receiving from this moment or space/placement?
Surprisingly, what stood out for me -Noemí- was the
nature of human relations how they entwined and gave shape to this whole
encounter.
Something about communicating without words or beyond
words and the quality of paying attention, showing up, being present and truly listening.
We had a full array of possibilities as going to the wilderness meant waking up
very early, taking a bus to El Tren Urbano, to meet with María in Jardín
Botánico, to the drive to El Yunque. This whole segment of the trip which I
think only a few PISO practitioners experienced was an epilogue each day we
came to fieldwork. The degradation or range of experiences and spaces we
traveled to get to the forest brought as varied landscapes and experiences
framing the raw experience of what was considered the research itself.
Conversations we had with María Rivera on the way to
Sabana Station offered entry points to what lay ahead. The trip and days were
long.
Our conversations with María opened the day for
experiencing. The collaboration implied collaboration and collective work, Yet
it also meant close, one on one, or smaller group or duets in which a different
type of exchange took place. Just like when a scientist goes out to nature to
pay close attention and gather precise data, the interactions between
scientists and / or fellow artists proved to be all full of newness which
implies attention and a kind of presence and intention that is what PISO
desires to cultivate.
