A Wilderness Science and Art Collaboration

Aldo & Leonardo, a partnership between Colorado Art Ranch and the Aldo Leopold Wilderness Research Institute, is a project to celebrate the 50th anniversary of the Wilderness Act. The project is inspired by the scientific wisdom of Aldo Leopold and the artistic genius of Leonardo da Vinci. Our endeavor is an interdisciplinary collaboration of artists and scientists designed to celebrate the lands, resources and opportunities protected by the Wilderness Act. In 2013, we are hosting one-month residencies in six diverse wilderness areas. Artists will work alongside wildland research scientists and gain firsthand knowledge of the wonders, complexities and challenges of our nation's wildest places. The result will be a body of work that creatively illustrates the value of wild areas and honors the scientific efforts to preserve wilderness for the next fifty years.

Wednesday, October 2, 2013

Windows Through Time - A collaboration between Troy Nickle, Mark Jirsa, the Minnesota Geological Survey and University of Minnesota

Artwork by Troy Nickle

Is time merely a limited linear concept created by mankind so that we can understand the passing of the days, weeks and years?  We seldom think of time on a vast scale encompassing thousands, millions and even billions of years. I wonder what the earth looked like a billion years ago. How has our earth formed and evolved over that period of what we call time? It’s hard to fathom, but I had the opportunity to take a 6 day trip with geologist Mark Jirsa into the Boundary Waters Canoe Area Wilderness, (BWCAW), to gain an understanding of Minnesota’s ancient bedrock crust and had a glimpse of what the earth might have looked like millions of years ago.

Mark focuses on Precambrian geology and studies and maps many of the rock outcrops in the BWCAW and throughout Minnesota to improve our understanding of crustal evolution that spans nearly 3 billion years - (2690 to 2722 Million years). Many of the exposures in the Boundary Waters area provide examples of some of Earth’s oldest and most complex crust. Much of the bedrock in Minnesota is covered by hundreds of feet of glacial sediment, but the bedrock in Superior National Forest which includes the BWCAW is near or at land surface, creating exposures that are sufficiently large and closely spaced allowing it to be mapped in detail.

Photograph by artist Troy Nickle

Mark tells me that he is trying to uncover the geological story behind the formations in the rock. The once flat-lying strata has been folded, metamorphosed (thermally altered), faulted and now stand nearly on end. Like a detective Mark looks at the rock and tries to uncover the story behind it. He looks at the layers measuring the direction with a compass, determining the strike or trend of the layer and if possible the angle the layers recede into the rock, (the dip) and tries to determine which way is up, (the topping) formed by an understanding of the sediments in the layers, and how sediments settle- usually the heavier sediments settle first then the lighter ones later. He takes a UTM (Universe Transverse Mercator) reading of the location and writes a variety of geologist nomenclature on the sediments that formed the rock, the type of rock, fault lines and other information that will help him form detailed maps of the geology. Mark is seriously passionate about his work and it is not hard if you’re near him to soon be consumed with trying to understand and uncover the geological story at how this ancient bedrock might have formed.

Photograph by artist Troy Nickle

It took us 2 days to paddle out to our base camp in the south arm of Knife Lake. There Mark and I developed a collaboration that would bridge geology with art. Mark was really amazing to work with and helped form some of the ideas driving the work.  Through a discussion of where this work could go and how to relate art with geology we decided to frame key areas of rock formations, sediment layers, fault lines and other interesting areas of bedrock as windows looking back into the ancient past. I used locally available materials like stone, wood or reeds to create the frames placed over areas of bedrock and created a frame that was 1 meter square and corresponded to a UTM location.  Mark took notes of the location, the strike, dip, topping, type and age of rock, sediment formations and numerous other details which will be part of the work while I created the frame and took a detailed image of the rock within the frame and an image of where the work exists in context to the land. Each rock formation is like a unique drawing that forms interesting lines and textures telling a story of an ancient world. During one day of mapping we documented 10 sites while hiking through the Knife Lake burn of 2011. We walked through thick brush, fallen trees and endured the high winds, heavy rain and  later were rewarded with a spectacular view.We covered a large area and when we got back to camp made plans to cover other areas on our route back.


Photograph by artist Troy Nickle
Photograph by artist Troy Nickle


Artwork by Troy Nickle

Over time there has been drastic change to the landscape which I learned are traceable through the stone. From continental seas that once covered North America, sediment laden rivers, volcanism, to multiple episodes of tectonic plate collision. It makes me wonder about how we perceive time. Many of these stones seem immovable but were once liquid lava entering an ocean, or sand, mud and silt carried in turbidity currents to eventually settle on an ocean or river floor, overtime forming into solid bedrock then later to be thrust to the surface by a tectonic plate collision.


Photograph by artist Troy Nickle

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